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Friday, March 28, 2014

Joy Brunson: The Actor-preneur

I first saw Joy Brunson on stage at Spelman College in a production of The Colored Museum by George C. Wolfe. We became friends shortly there after and even got to share the stage under the direction of Jasmine Guy in the stage adaptation of The Bluest Eye. 

Fast Facts about Joy Brunson

Hometown: Houston, Texas
Schoolin' Life: Spelman College
Crayon Box Color: Sunset Yellow
Website: www.joybrunson.com
Twitter: @JoyBrunson
Instagram: Jojomcnair

Joy resides in Los Angeles, CA living, creating and dreaming. Since our time in college, Joy's grown into a powerful actor, activist and already phenomenal woman. Always churning out new ideas and platforms, I was excited to catch up with my friend and sister in the arts.
  
Pat: Who is Joy B?

Joy: Um…[it depends] on the day… but today I would say that I am Joy Brunson. I am an “Actor-prenuer”, I’m an artist and I create platforms, specifically for women— specifically for woman of the African diaspora to grow and live and learn more about themselves in every way.

Pat: What’s an Actor-preneur?

Joy: I think it’s all encompassing because acting is my main priority and my main passion but I really really do love creating platforms, like I said. So when people ask me, instead of saying well, “oh I run a non profit and oh I write on the side and oh I also have a vegan web show…when people ask me what do you do? I can just say I’m an Actor-preneur. Someone told me that one day, “Oh you’re an Actor-preneur” and I liked that! So, it’s a conversation starter and it’s also all encompassing

Pat: You should put that at the bottom of your resume! So as far as acting is concerned, what coming up?

Joy: Coming up? Goodness…I honestly will know something within in the week. Since moving to LA, it’s been more about getting settled into the city and meeting casting directors and that’s been great. This last pilot season I went out for a lot of things. I have not booked yet, but to be in that caliber, to be I that room to be, you know, going up against working actors—because there are so few of us, black women working actors—I know that I am just inching closer. But I am working on my one-woman show, so personally that’s my next biggest goal.
  
Pat: A one-woman show? Tell me More?

Joy: It’s called “Inner Joy.” Subtitle is TBD, but it’s called “Inner Joy.” I’ve been working on a one-woman show for years, honestly. I’ve always been hesitant because not only am I performing it, but I’ve chosen to write it, so it’s like two ways in which I could have viewed people judging me. But now I see it as me needing to get this work out to be creative and to be artistic and to spread what I feel are important messages. They [the characters] are all women. They span time and location and they are all talking about different ways they have found peace. For some of them it’s because they were gay and didn’t know how to come out and for some it’s because they lost children in the earthquake in Haiti and one is because…um…Well, I guess two are about lesbians actually when I think about it! (laughs). One is a young girl who is kinda pan-African but I’ve put it into a voice of a nine-year-old and what we teach our children about sexism and colorism, but in a fun, creative nine-year-old way. It’s all women trying to figure out who they are and the process helped me figure the woman I’m becoming.

Pat: I want to talk about Get Rooted!

Joy: I was hesitant about it, because I’m very particular about how I come off or at least I try to be. Umm as someone who’s like, “Oh I’m vegan and therefore I am here and you are there”—and I think that sometimes veganism comes off like that—people kinda condemn people for their choices. I personally don’t care what you do with your body, but I find that especially in our community a lot of people are interested more and more in weight and health and what goes into their body. And I feel that veganism is a perfect way to find that. Also, being from the south, I’m not a life-long vegan. I was raised on meat and I understand how it tastes, but for me I like to know very specifically where my food comes from and then I’m able to make that choice. If I know it comes a factory and I still want to eat it, then cool. A lot of times in the African-American community we sit down at the table, cover our food in hot sauce, and we don’t question how far back it went before the grocery store, we don’t care as long as it’s on discount. I think for any community, especially for the black community in order to repair this tear in our cultural fabric, we have to start from the inside out.

I didn’t want to make another vegan cooking show. I wanted to know that it happens, and everyone has a different definition of it. Our last episode, we had young people who are artists [and vegan]. One eats fish, but she considers herself vegan. Another is dietary vegan, but he has no problem wearing leather. It’s what you make it, you know, but the point for me is to be in control over your food.


Pat: Now, you also have non-profit organization under your “Actor-preneurial” umbrella, Tee2Tea?

Joy: Well, Tee2Tea is a golf mentorship organization where we use the game of golf to teach principles of life. So…commitment, dedication, accountability for young minority girls 8-18. First off, we do not discriminate [against] any sweet little Caucasian babies. It’s so interesting that when an organization [is] for a specific group, people are focusing on what it’s not. This is not anti-white org, this is not a anti-male org, it just happens to be an org for minority, mostly Black mostly Hispanic young girls.

We make the game of golf affordable and accessible. In the inner city, there are no golf courses. Not only is the game of golf, different and unique but it can open doors…it opened doors for me. When people find out that you can play golf, they look at you differently. Men, especially white men, people in power places look at you differently to be able to step outside of what is considered “normal” for a young black girl and say, “No, I know how to do this” is really beneficial.

We have summer camps and are working on having another golf tournament. We also have what is called “High Tee,” which is just mentorship. The girls go through etiquette class and self-empowerment class, because I didn’t want just another organization that taught a sport. Those organizations are great, but for me, I wanted to make well-rounded individuals and young women that will contribute to society. It’s still very new, but I have lots of dreams for Tee2Tea. I hope it can be a full-fledged program that lives on it’s own, where girls can come and grow after school and during the summer.

Pat: I’m a web series fanatic, so I was so exited when on saw you on YELLOW.

Joy: (laughs) It is so crazy to me because I feel like I’ve done other stuff but it seems like yellow has been the thing that my friends like the most. Honestly, that’s why I did it. They [BLACKandSEXYTV] have a following and they do good work and I had so much fun.

Pat: Speaking of film and TV, what’s your stance on black women in the media. How do you feel about “Lupita” fever?

Joy: I don’t know what it is, but where there’s this hit black person, you become that. As soon as she started becoming popular, I had quite a few people saying that I remind them of her and I’m like NOOOOO. We’re just similar colors, but we are very different. It’s like “oh, there’s a black dark skin girl…” But in the same vein I’m like, “There’s a black dark skin girl and I get to be like her!” That is a very beautiful thing. As far as black women in the media, I think things are beginning to change and I’m very excited about it. There’s still healthy competition and there still are inner circles, but I think that’s just more human nature than anything else. Overall, I’ve seen black women act very professional toward each other. They may not be friends or acting chummy, but I’ve never seen them mean or try to cut them down, which is great. There is sisterhood and I’m still finding that and not necessarily in the black community, which has surprised me. Some of my closest friends in California aren’t black, but they have been incredibly supportive. I had to kinda take a step back because I’m used to Atlanta and being around beautiful strong black women. This person isn’t black but they believe and support me and have my best interest at heart. The women, the female community has been good to me, right now. Did I answer you question?

Pat: Finally…what’s your vision down the line?

Joy: Well, like I said my biggest thing is my one-woman show. I want to continue theatre out here and continue to build my brand. If I say I’m going to be here and work here, I need to start planting seeds here. I think God gives us gifts and if you don’t nurture them, they will go away. So I’m working on growth as an actor right now. But hey talk to me in a few months and I may be on a project!

#artsupportsart
Keep up with Joy and all of her “Actor-preneurial” adventures at www.joybrunson.com and check out Get Rooted on Youtube!

There's always enough black to go around,

Pat





Friday, March 14, 2014

Aaron "Leo" Gregory: I Can, I Will, I am Enough

Aaron "Leo" Gregory and I met during our time at Morehouse College in Atlanta, GA. Since graduating from our beloved Mother Morehouse, we've gone our separate ways but he was happy to take some time to be my very first interview for The Crayon Box!

Fast Facts about Aaron "Leo" Gregory


Hometown: Omaha, Nebraska (Yes, there are brown people in Nebraska)
Schoolin' Life: Morehouse College and New York University 
CrayonBox Color: Lion's Mane Orange
Twitter: @LeoDijinero
Instagram: LeoDijinero1914
Facebook: Leo Dijinero/Aaron Leo Gregory

Currently residing in New York City, Aaron is a choreographer/teaching artist and creator of the "Groove and Flow" Technique. Groove and Flow is a release technique created to liberate dancers internally for greater performance quality and centers around the mantra, "I can, I will, I am Enough", which speaks to my spirit as a young artist myself. I caught up with Aaron in between one of his classes at the Lower Manhattan Arts Academy. I couldn't believe it when he told me that he's currently teaching dance to youth students between the ages of 5-14 with three different schools/organizations across the city.

Pat: Who would you say are you artistic inspirations?

Leo: Alvin Ailey. I was exposed to him for the first time at Spelman. We had to do our own research on dance and he was one of the first I found, because of the legacy he has created with his work. And how his work is transcendent in time.

Kathleen Wessel, I don’t know if you remember her. (Yes! I remember Kathleen!!!) She taught modern at Spelman and Emory. She was one of the first teachers who really believed in what I had before I even knew what I had. Being able to connect with her after not seeing her for three years, in Italy was really great.

Hmm . I have two more. Pharrell Williams. His creative abilities to just kinda be in his own lane and how he’s definitely moved so many people without them even knowing that it was him. Everyone’s like “Pharrell” but he’s been in his own lane doing his thing for a while. It give me hope to stay in my own lane and I’ll get to inspire the people I’m meant to inspire and reach the people I’m meant to reach.

Missy Elliot, definitely hip hop wise. She is…everything. She’s musically..She’s always created something for the dancers. Broke records, her being a female rapper, plus-size. She’s always been ahead of the game. We’re waiting for her to drop something else but she’s taking her time. She always put her life force in to what she makes to make great things.

Pat: I'd like to go back and talk about Kathleen Wessel and the STAIBdance Intensive in Sorento, Italy?

Leo: I learned how to tap into myself as a better performer. The intensive was about two and a half weeks. We had class from about 8-4 or 5 o’clock in the afternoon. We did ballet. We did Gaga, which is an improv technique from Israel. It’s centered on helping the dancer, not the dancer the mover, connect internally to what's happening externally. That was the pivotal experience during the intensive for me. I connected more within myself. When we had our final performance, as soon as the music started until the end of my own section…I didn’t go on until about 17 minutes into the piece, I was on. I just felt on fire. I felt alive, the entire time and I’d never felt that before.


I took to Gaga and to my instructor. He moved like…an alien. I wanted to move like that, I wanted to be more free.

Pat: Talk to me about Groove and Flow?

Leo: Yes. I can definitely do that. Groove and Flow…my baby. Upon our graduation, Kathleen Wessel said, “You are going to create your own technique one day”. I had no idea what she was talking about, but as I began to grow as a dancer I was realizing that I was able to combine all my styles into one. Movement wise, I knew I had this variety of movements that I draw from to make up combinations, but there’s more to it because it’s not just a combination class. So the workshop…I totally believe in, what’s the word I want to use? Come on Jesus, what’s the word I want to use? Motivating people to be better. Showing them, themselves and helping them to realize that there’s more to them than what they see and that comes from my life long battle  had to see myself as I really am. We’ve all received compliments and couldn’t see them for what they were, truly great things. The Spirit in me drove me to want to create a class for people who were in a rut and wanted to get out.


I want to keep showing people that there is more to you than meets the eyes. All the things that are good about ourselves and bad. I mentioned not having confidence…I didn’t have confidence because I didn’t SEE myself. Looking for approval from people that would never approve of me. I was constantly trying to please and be something…instead of just being myself.

Pat: I think that is a journey for a lot of young artists.

Leo: And now I’m on this thing of…dance breaks chains. There are people walking around here shackled. Slave to the false image. Slave to over confidence. Slave to the job. Just walking around broken and connected to things that hold us back. The most recent piece of choreography I’ve done for the class is called, “Breaking the Chain.” In the beginning of the class, I allow them to do that. We do a focus exercise and I ask them to “Imagine, yourself being the best you”. I used Gaga techniques that help them feel and be aware internally and externally. Through that, when you are connecting and checking in with yourself you are telling yourself, “I can, I will and I am Enough”. When we go through the combination, my hope is that they are telling themselves that. My class isn’t about the combo. It’s about telling yourself that you can do this and take at least a step away from that thing…(whatever it may be) when you leave that class.



Pat: Moving Forward, what is a path that you see for yourself?

Leo: Out of the combinations that I have made, that I am making…I do want to choreograph works. I fell in love with choreography during my final project at NYU. I have to keep choreographing, I HAVE TO. Ultimately, I love to have a company or even a platform to where I can present my work with dancers that understand my style of movement. We can start to make actual pieces about these topics that I address within my workshop/class and inspire the audience.


#artsupportsart
Aaron's next "Groove and Flow" Workshop is this Sunday, March 16th at CAP21 Studios from 7-8:30PM. Only $10! Check out some footage from the workshop here.



There's always enough black to go around,

Pat

Wednesday, March 5, 2014

Colorful Beginnings

Well....here I am! First off, hello world. My name is Patrick, Pat, Pat.Jak and I am black, technically brown. It's really shouldn't matter, it really doesn't matter. But beyond who I am, what I do is really truthfully why I am here.


What is The Crayon Box?
"I am an artist and I am sensitive about my shit", said the beautifully amazing Erykah Badu. As an artist of color and a citizen of the world, my hue has become more of a question than a celebration. I seek to inform and enlighten but most importantly share some of the great stories and magic that is out there with other artists like myself. The artist community from the page to the stage and everywhere in between has alway been a voice of the generations yet many of those voices are seldom heard. It is my hope that through this blog I can share some of the lesser used "crayons" and get them some time to paint their pictures and color the world. The revolution is past being televised and now sits at the keys of our computers just waiting, yearning to be ignited. With that I light the first match.

So, stop by every two weeks (God willing I'm not saving the world one stage at a time) and I'll have a new colorful artist here to share their world with you!

#artsupportsart #insidethecrayonbox


There's always enough black to go around,

Pat